2002 Private collection Oil on canvas 100 cm x 50 "The End" 
Sunday, June 21, 2009
Salser & Dillard Funeral Chapel
The fire and the violin 50x60
Born in Livorno on 12.05.1974. 
Painting oil on linen, titled "The fire and the Violin" 50x60 cm private collection Artist
Year 2009
Born in Livorno on 12.05.1974.
Location: Via della Pineta n24 Marina di Castagneto Carducci
Phone 3395608295
Gianluca Rotelli 1974.Le was born in Livorno in its first exhibition of the late 90's, collected with general approval. Rotelli realist painter, likes to portray his surroundings and curious about: people, still lifes, objects, interpreting them with a lively personality and a great emotional charge. When in July 1998 Gianluca Rotelli filed its first "personal" painting at the club "the rent" I read Federica wrote of a "touch of nineteenth-century" of young artist. "Fascinated by the French in the second half of the nineteenth century, studied carefully-stated as I read- the designs of Charles and Gerome Bargue, reproduced lithographs. "Moreover Rotelli had just graduated from the Academy of Fine Arts degree with a thesis on Gerome and then he attended the studio of the Florentine painter John Angel Canadian student Annigoni. All ' Rotelli early 2000 he attended the entire course of study in the Florence Academy, directed by Daniel Graves, revealing enough to merit a scholarship and stay connected with the exposure of teachers' accademia.Espone in Gherardesca Castle in Castagneto and are commissioned portraits and Constance, daughter of Gaddi, and the same first heir to the prestigious family. His portraits are part of other private collections such as Vincent Paroli art expert and honorary commissioner of the archaeological superintendent of Pisa. His works were exhibited between 2001 and 2002 in the gallery of New York (the Grenning Gallery) and exhibits in the Art Gallery of Dublin, Salomon Gallery. Join with their productions to the exposure of realism in Italian Palazzo Corsini in Florence. He won the silver florin of Florence in the competition with a landscape of the river Cecina work that is now part of the private collection of Graves Director of the Florence Academy of Art. Di particularly significant in the 2007 exhibition Panciatichi palace, home of the Region in 2008 ToscanaRecentemente Rotelli exhibits in France at the 'Ateliers Natalie Horn at Sommieres Montpellier. Arezzo in 2009 exhibited at the gallery of 'contemporary art "edits".
EXHIBITIONS-2009: Group exhibition at the gallery in Arezzo "edits" .- 2008: Solo exhibition in France at the 'Ateliers Natalie Horn Sommieres .- 2008: Group exhibition at the gallery in Arezzo "edits" .- 2007: Solo exhibition of paintings at the "Regional Council" palazzoPanciatichi of Tuscany, Florence .- 2007: Group exhibition at the "Palace of the Treasury" Torino-2007: Group exhibition at the Stables of the Palace Corsini, Florence .- 2006: Group exhibition at the "Solomon Gallery, Dublin .- 2005: Group exhibition at the Stables of Palazzo Corsini, Florence .- 2004: Group exhibition at the" Century Gallery, Virginia USA-2003: Exposure to " Florence Academy of Art, Florence .- 2002: Exhibition at the Art Gallery "Green Gallery, New York USA
Thursday, June 18, 2009
Wednesday, June 10, 2009
Filmes Milena Velba Gratis
Persephone and Pluto
Persephone and Pluto 54 x 45 cm oil on linen 2008
Persephone and Pluto 54 x 45 cm oil on linen 2008 Collection of 'artist Gianluca Rotelli
Tuesday, June 2, 2009
Can Chocolate Trigger Bells Palsy
Violin Still Life with Pears
Oil painting on linen private collection Solomon Gallery Ireland "Italian Realism 2006"
http://www.solomongallery.com/ 
Oil painting on linen private collection Solomon Gallery Ireland "Italian Realism 2006" http://www.solomongallery.com/
Sunday, May 31, 2009
Hull Indentification In Ontario
Libra
Still Life Title: The Balance technique oil on canvas 2002/03
private collection I talia
Louis Vuitton Car Sticker
The End
Gianluca Rotelli 1974.Le was born in Livorno in its first exhibition of the late 90's,
meet with general approval. Rotelli Realist painter, likes to portray his surroundings and curious about: people, still lifes, objects, interpreting them with a lively personality and a great emotional charge.
When in July 1998 Gianluca Rotelli first proposed a "personal" painting at the club "the rent" I read Federica wrote of a "touch nineteenth century" the young artist. "Fascinated by the French in the second half of the nineteenth century, studied carefully-stated-as I read the designs of Charles and Gerome Bargue, reproduced lithographs." Moreover Rotelli had just graduated from the Academy of Fine Arts with a thesis degree and later on Gerome had attended the study of Florentine painter John Angel Annigoni Canadian student. All
'Rotelli early 2000 he attended the entire course of study in the Florence Academy, directed by Daniel Graves, highlighting much to deserve a scholarship and stay connected with the exposure of teachers' academy.
exhibitions in the castle in the Gherardesca Castagneto and are commissioned portraits and Constance, daughter of Gaddi, and the same first heir to the prestigious family. His portraits are part of other private collections such as art expert and Vincenzo Paroli Commissioner honoris causa of the archaeological superintendent of Pisa. His works were exhibited between 2001 and 2002 in the gallery of New York (the Grenning Gallery) and exhibited at the Art Gallery in Dublin Solomon Gallery. Participates with their productions of Italian realism to the show at the Palazzo Corsini in Florence.
wins the silver florin of Florence in the competition with a landscape of the river Cecina work that is now part of the private collection of Graves Director of the Florence Academy of Art. Of particular significance
personal exhibition in 2007 Panciatichi palace, home of the Region of Tuscany in 2008 Rotelli
recently exhibited in France at the 'Ateliers Natalie Horn Sommiers at Montpellier. Arezzo in 2009 exhibited at the gallery of' contemporary art "edits" .
EXHIBITIONS - 2009: Group exhibition at the gallery in Arezzo "edits".
- 2008: Solo exhibition in France at the 'Ateliers Natalie Horn Sommieres.
- 2008: Group exhibition at the gallery in Arezzo "edits".
- 2007: Exhibition of paintings at the "Regional Council" of the Tuscan palazzo
Panciatichi, Florence.
- 2007: Group exhibition at the "Palace of the Treasury" Torino
- 2007: Group exhibition at the Stables of Palazzo Corsini, Florence.
- 2006: Group exhibition at the "Solomon Gallery, Dublin.
- 2005: Group exhibition at the Stables of Palazzo Corsini, Florence.
- 2004: Group exhibition at the "Century Gallery, Virginia USA
- 2003: Exhibition at the" Florence Academy of Art, Florence.
- 2002: Exhibition at the Art Gallery "Green Gallery, New York USA 
DATA
Born in Livorno on 12.05.1974.
Location: Via della Pineta n24 Marina di Castagneto Carducci
Phone 3395608295
Born in Livorno on 12.05.1974.
Location: Via della Pineta n24 Marina di Castagneto Carducci
Phone 3395608295
Gianluca Rotelli 1974.Le was born in Livorno in its first exhibition of the late 90's,
meet with general approval. Rotelli Realist painter, likes to portray his surroundings and curious about: people, still lifes, objects, interpreting them with a lively personality and a great emotional charge.
When in July 1998 Gianluca Rotelli first proposed a "personal" painting at the club "the rent" I read Federica wrote of a "touch nineteenth century" the young artist. "Fascinated by the French in the second half of the nineteenth century, studied carefully-stated-as I read the designs of Charles and Gerome Bargue, reproduced lithographs." Moreover Rotelli had just graduated from the Academy of Fine Arts with a thesis degree and later on Gerome had attended the study of Florentine painter John Angel Annigoni Canadian student. All
'Rotelli early 2000 he attended the entire course of study in the Florence Academy, directed by Daniel Graves, highlighting much to deserve a scholarship and stay connected with the exposure of teachers' academy.
exhibitions in the castle in the Gherardesca Castagneto and are commissioned portraits and Constance, daughter of Gaddi, and the same first heir to the prestigious family. His portraits are part of other private collections such as art expert and Vincenzo Paroli Commissioner honoris causa of the archaeological superintendent of Pisa. His works were exhibited between 2001 and 2002 in the gallery of New York (the Grenning Gallery) and exhibited at the Art Gallery in Dublin Solomon Gallery. Participates with their productions of Italian realism to the show at the Palazzo Corsini in Florence.
wins the silver florin of Florence in the competition with a landscape of the river Cecina work that is now part of the private collection of Graves Director of the Florence Academy of Art. Of particular significance
personal exhibition in 2007 Panciatichi palace, home of the Region of Tuscany in 2008 Rotelli
recently exhibited in France at the 'Ateliers Natalie Horn Sommiers at Montpellier. Arezzo in 2009 exhibited at the gallery of' contemporary art "edits" .
EXHIBITIONS - 2009: Group exhibition at the gallery in Arezzo "edits".
- 2008: Solo exhibition in France at the 'Ateliers Natalie Horn Sommieres.
- 2008: Group exhibition at the gallery in Arezzo "edits".
- 2007: Exhibition of paintings at the "Regional Council" of the Tuscan palazzo
Panciatichi, Florence.
- 2007: Group exhibition at the "Palace of the Treasury" Torino
- 2007: Group exhibition at the Stables of Palazzo Corsini, Florence.
- 2006: Group exhibition at the "Solomon Gallery, Dublin.
- 2005: Group exhibition at the Stables of Palazzo Corsini, Florence.
- 2004: Group exhibition at the "Century Gallery, Virginia USA
- 2003: Exhibition at the" Florence Academy of Art, Florence.
- 2002: Exhibition at the Art Gallery "Green Gallery, New York USA
Wednesday, February 4, 2009
Zen Furniture On A Budget
Letter to members and friends of the circle of re-founding Barona
Hello,
I write because I believe it is appropriate and proper to let you know of my choices and reasons for them. Today I leave
Refoundation Communist and of course the role of Secretary of the Club Barona Lenin, after many years of activism and affiliation with a difficulty I know you understand.
PRC and the club have been for me a house, almost a family, a safe community, where I spent most of my energies and my strength, sharing a project, as well as the ideas and struggles.
Today, what was my home has changed. E 'changed so much to be no longer in my eyes, recognizable. E 'changed the political project, but especially the climate has changed and is changing the language it uses.
The heavy election defeat last April, we talked about it often, could be the ash from which to reconstruct a major project, to change our society, overcoming the divisions, misunderstandings, the identity that we were relegated to the margins of culture and the imagination of people. Among other things, a defeat which has its roots away from that April, comes from a long historical process that saw the defeat of communism as a milestone.
Also, what has happened in recent months, and I'm referring to the battles of the CGIL, but especially the impetuous wave motion, students, but also to the recent demonstrations against the eviction of Conchetta, we have talked about a great "pool" of people who share the need to change this country. So many men and women who crowded the streets and who have always strongly and radicalism, refused to be placed in this part of the left.
I think we need to think in terms other than in the past: the traditional party forms are no longer credible, effective and relevant to the world that lives outside of them. But especially in close and precise references to identity and cultural patterns of the past is a fence too high to be overcome for the vast majority.
Refoundation Communist, in this sense, come a long way back: in recent months has perched on the identity of the party, has, meanwhile, increased its reference to the traditional party, with its headquarters and its logical vertical legitimate but, from my point of view, past history. In terms of content has dropped, as often pointed out by its top executives, some battles I thought were central: the rights of those people and the centrality of freedom, to make way for a campaign on the high cost of living from objectionable content and a dall'approccio some 'populist.
I believe strongly that focuses on the issue of class conflict before the rights issue is a retreat and a mistake in a society fluid and changing as the current one.
The reality speaks to us loud and clear: the economic crisis is much deeper than that which passes through the press and media figures retouched, invests the social fabric, undermine the balance of power in which we are accustomed. In the crisis, homeowners and affluent, are getting stronger.
the hardest hit, as always, especially the weak. At the same time an air of change, though with obvious limitations, also comes "from the heart of the empire": Obama and his victory made a gesture of possible changes in the world. In Italy, however, that momentum is growing and the populist right-wing culture that generates an exclusion approval. Racism, homophobia, show society, poverty, violence, are increasingly involved in our country. And Milan is no different: close community centers, the militarized streets in the name of a presumed safety, it cements in the name of that profit has plunged us into this crisis and in this city more and more rich only in solitude and marginalization.
Faced with all this I do not think the answer we can give is to lock ourselves in to a party, much less force to make us a unique and unique model of society, claiming the word communism with strength and forgetting the word PRC.
I believe the answer is that we should give a more courageous the attempt to unite the left, take a step forward towards the establishment of a single large entity that is capable of making culture, and representation at all to return all of us, able to combine people and ideas. For this abandonment
PRC. Because I think the important and beautiful parable of the Communist Refoundation is over. An era has ended and we have to understand it. I'll put my all in the constitution of a Movement for the Left, a movement that will work to build a single, unified political entity of the Left, unable to hold in all, including the Communists, like me, able to speak to everyone, even the communists , especially capable of uniting the Left, and to return the force and dignity essential to create a more just and better society. I offer my best wishes to those who have decided or will decide, legitimately, to continue their way in PRC, because I think it will always be my comrades, my "close to the fence" and especially because I know it will soon be with me in one big house on the left that I'm going to build.
A hug to everyone. Thank you for what you gave me. Do you know where to find me.
Luca Gibillini 
Hello,
I write because I believe it is appropriate and proper to let you know of my choices and reasons for them. Today I leave
Refoundation Communist and of course the role of Secretary of the Club Barona Lenin, after many years of activism and affiliation with a difficulty I know you understand.
PRC and the club have been for me a house, almost a family, a safe community, where I spent most of my energies and my strength, sharing a project, as well as the ideas and struggles.
Today, what was my home has changed. E 'changed so much to be no longer in my eyes, recognizable. E 'changed the political project, but especially the climate has changed and is changing the language it uses.
The heavy election defeat last April, we talked about it often, could be the ash from which to reconstruct a major project, to change our society, overcoming the divisions, misunderstandings, the identity that we were relegated to the margins of culture and the imagination of people. Among other things, a defeat which has its roots away from that April, comes from a long historical process that saw the defeat of communism as a milestone.
Also, what has happened in recent months, and I'm referring to the battles of the CGIL, but especially the impetuous wave motion, students, but also to the recent demonstrations against the eviction of Conchetta, we have talked about a great "pool" of people who share the need to change this country. So many men and women who crowded the streets and who have always strongly and radicalism, refused to be placed in this part of the left.
I think we need to think in terms other than in the past: the traditional party forms are no longer credible, effective and relevant to the world that lives outside of them. But especially in close and precise references to identity and cultural patterns of the past is a fence too high to be overcome for the vast majority.
Refoundation Communist, in this sense, come a long way back: in recent months has perched on the identity of the party, has, meanwhile, increased its reference to the traditional party, with its headquarters and its logical vertical legitimate but, from my point of view, past history. In terms of content has dropped, as often pointed out by its top executives, some battles I thought were central: the rights of those people and the centrality of freedom, to make way for a campaign on the high cost of living from objectionable content and a dall'approccio some 'populist.
I believe strongly that focuses on the issue of class conflict before the rights issue is a retreat and a mistake in a society fluid and changing as the current one.
The reality speaks to us loud and clear: the economic crisis is much deeper than that which passes through the press and media figures retouched, invests the social fabric, undermine the balance of power in which we are accustomed. In the crisis, homeowners and affluent, are getting stronger.
the hardest hit, as always, especially the weak. At the same time an air of change, though with obvious limitations, also comes "from the heart of the empire": Obama and his victory made a gesture of possible changes in the world. In Italy, however, that momentum is growing and the populist right-wing culture that generates an exclusion approval. Racism, homophobia, show society, poverty, violence, are increasingly involved in our country. And Milan is no different: close community centers, the militarized streets in the name of a presumed safety, it cements in the name of that profit has plunged us into this crisis and in this city more and more rich only in solitude and marginalization.
Faced with all this I do not think the answer we can give is to lock ourselves in to a party, much less force to make us a unique and unique model of society, claiming the word communism with strength and forgetting the word PRC.
I believe the answer is that we should give a more courageous the attempt to unite the left, take a step forward towards the establishment of a single large entity that is capable of making culture, and representation at all to return all of us, able to combine people and ideas. For this abandonment
PRC. Because I think the important and beautiful parable of the Communist Refoundation is over. An era has ended and we have to understand it. I'll put my all in the constitution of a Movement for the Left, a movement that will work to build a single, unified political entity of the Left, unable to hold in all, including the Communists, like me, able to speak to everyone, even the communists , especially capable of uniting the Left, and to return the force and dignity essential to create a more just and better society. I offer my best wishes to those who have decided or will decide, legitimately, to continue their way in PRC, because I think it will always be my comrades, my "close to the fence" and especially because I know it will soon be with me in one big house on the left that I'm going to build.
A hug to everyone. Thank you for what you gave me. Do you know where to find me.
Luca Gibillini
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